- Grange Gallery
- Grange Museum
- The Grange
- The Kipling Gardens
- Rottingdean Windmill
- About Us
Guest Artists: Dawn Finn and Janette Gibson
I met Dawn and Janette at a studio in Kentish Town where our mutual love of printmaking has led to this exhibition.
Having retired after teaching art for many years I have been able to spend more time enjoying what I do. Basically going wherever I want and working on any art projects that interest me.
The title of this exhibition refers in part, to my fascination with old photographs and a body of my work reflects on my own personal family history.
The present is represented by a variety of subject matter including the lighthouse series made following a trip around the British Isles; landscape and still life. All explore various printmaking techniques including etching, aquatint, lino and photo-etching. All etchings and prints are produced by hand and as a limited edition.
The collection of plant portraits created for ‘Past and Present’ at The Grange Gallery have been inspired by herbarium collections of botanical specimens. The prints combine intaglio, photo etch and nature printing. The ‘Indigo Herbarium’ print series has evolved from my collection of Japanese folk textiles combined with indigenous plants of Japan, using a palette of indigo and white. I am interested in the many varied uses of plants and I am currently working on a series of prints based upon traditional dye yielding plants from seed to print.
My recent work of the last year captures the held memories of colour, form and movement experienced in my youth whilst driving the western coastal road of the USA from Vancouver through Mendocino County to LA. Unknown to me at the time I had no idea how much the “bay area’ abstract expressionist would play such an influential and significant part in my later work. The use of applied colour eluding to shape and emotion both reflect and support an experimental and playful use of a colour palette emerging in my monotype prints.
‘SNOWBALL DOWN A MOUNTAIN’
THE BARON GILVAN ARTIST IN RESIDENCE AT ROTTINGDEAN WINDMILL.
Artist Chris Gilvan-Cartwright aka The Baron Gilvan will be in residence at Rottingdean Windmill during the weekends of the Brighton Festival, May 2017.
The Baron will set up his studio in the windmill to create magnificent paintings, drawings and animations investigating psychological dreamworlds through automatism and intuition. These raw, unflinching works of art are portals between an inner and outer reality, exploring the dynamics of the imagination.
‘Art is born of trauma’, says Gilvan-Cartwright who’s work references his own life experiences which have caused him to question the relationship with reality and illusion. ‘I present the work through the conduit of The Baron Gilvan, an enabler to inspire the fantastical and doubtful – a vehicle to present the truth in flux.
The Windmill once converted the energy of elemental force into rotational power in order to mill grain and feed the village. Now the Rottingdean Windmill becomes a fantastical playground studio where The Baron feverishly converts line and paint into food for the soul.
Narratives involve foolish Admirals, musicians in reverie and hermits who are lost or abandoned in exquisitely rendered tangled landscapes drawn out in continuous line on large sheets of paper, canvas and cardboard. Upstairs, madcap animations play out, featuring heroic and fallen characters.
‘Snowball Down A Mountain’ is an invitation to enter the world of The Baron Gilvan’s imagination and perhaps seek your own enlightenment there.
‘The Baron is a creation that makes dingy rooms glow’ Robin Ince, comedian and broadcaster
‘The Baron is a rare bird; His work comes blazing from his heart.’ Gary Goodman, painter and poet.
Exhibition Private View Friday 5th May 6-8pm
Opening times Sat & Sun 1-4.30pm
weekends of 6/7th,13/14th, 20/21st, 27/28th May 2017.
Rottingdean Windmill, Beacon Hill, Rottingdean, Nr Brighton, East Sussex.
Chris Gilvan-Cartwright aka The Baron Gilvan is a graduate from Central Saint Martins and Cracow Academy of Fine Art where he studied painting under Prof. Nowosielski. Winner of the Royal Overseas league Travel scholarship he painted in India and Nepal. On his return he was commissioned to design the BBC Proms logos for two seasons. He has exhibited widely and performed at the Towner Museum of Contemporary Art and Jerwood Gallery Hastings. His paintings are collected throughout the world.
Rottingdean Windmill (Smock Mill) was erected by Thomas Beard on Beacon Hill, Rottingdean, East Sussex in 1802 and ground corn for villagers until 1881. Currently the windmill is looked after by The Rottingdean Preservation Society who have invited The Baron to take up residence in the mill.
Exhibition Open weekends in May 6/7,13/14, 20/21, 27/28th Sat & Sun 1-4.30pm.
The annual meeting was well attended by members who were able to hear presentations from the Chairman and officers about the activities of the Society over the past year. The Grange remains very popular with visitors, with an average of 950 per month over the course of the year. Popular events were the May Open Houses, and the continuing “Cinema By The Sea” exhibition in the Museum. The Windmill was also well visited on Open Days with over 600 visitors this year, including some school parties. There was general support for the extension of the Windmill lease from BHCC when it runs out in 2021, though the details of the new lease have yet to be fully agreed. Concern was expressed about possible threats to the Kipling Gardens from reduced funding by the Council, and to the possible developments in the village including St Aubyns.
The Chairman, Chris Davidson, presented the plans for 2016-7, which include support for the Parish Council’s Heritage lighting scheme in the village, renovation of the old Nicholson Studio, currently used by St Margarets Primary School and the siting of a new Blue Plaque to Rev Hooker at The Grange. The Chairman also congratulated the team responsible for maintaining the Grange Gardens, which has received the first prize for the second year in a row for the best Community Garden in the Brighton In Bloom competition.
The full report for 2015-6 is available to read here
THE GRANGE ART GALLERY 3- 15t NOVEMBER.
The Society of Sussex Painters, Sculptors and Engravers was founded in 1924, around the time that the Bloomsbury Group began, and their first exhibition was in 1925 at Worthing Museum of Art. And it was in the same gallery that they celebrated their 90th anniversary with an exhibition in 2014.
The SSP have frequently exhibited at The Grange Art Gallery, and in November they will present a diverse range of work from fifteen to twenty Sussex artists, each contributing up to five pieces of work.
“There is no ‘house style’ in the SSP,” says Barry Hinchliff, the society’s president, “but perhaps because of our proximity to London or even Ditchling and Charleston, together with an excellent College of Art in Brighton, the work of members has always been fresh, lively and contemporary.” He explains that the title of the society covers the disciplines in most of their exhibitions; incorporating abstract and mixed media painting, oils, acrylics,water colour, print-making and sculpture in various media.
Barry has had a long association with the Grange Art Gallery. In 1993 when The Rottingdean Preservation Society took over running the Grange, Barry was co-opted onto their team to be the gallery’s first curator. A role he had for eighteen years. And although he is still painting he is now retiring as the SSP President. “I would like to hand over the mahl stick to someone else.”
For information on SSP membership, contact Helen Armstrong on
01273 881304: or email email@example.com
“In my latter years, I have travelled extensively, and have become fascinated by the predominant colours in different landscapes; for example, the red/brown vastness of the Nullarbor Plain in Central Australia, the black lava fields of Hawaii, and the haunting pale blues and greens of the Alaskan glaciers.”
Rob Upward’s words give the title to his exhibition: called “High and Low”, because his paintings show varied colours and landscapes from mountains to sea.
Rob was born on the Isle of Wight, but has lived in Saltdean for many years. His working life was in Special Education, for twenty years he was head teacher of a Brighton Special School. He admits that he had no formal art training beyond A-level, but spanning these working years painting was always a hobby, a form of relaxation; he describes himself then as a Sunday Painter. But with retirement, came more time to take his art work more seriously.
“I learnt new techniques, styles, used a range of media. Although I have worked in water colour and gouache, I have found the immediacy and vibrancy of acrylics best suited to my painting. More recently, I have attended a series of life-drawing classes to include, where appropriate, the human figure in my landscapes.”
This will be Rob’s fifth one-person show at the Grange Art Gallery. He has also had exhibitions at the Crypt Gallery in Seaford and in a Brighton coffee shop in the Laines. He says that he has been particularly influenced by the French impressionists, and the Canadian group of seven artists. But essentially, he now tries to paint the world, and more recently the people in it, as he sees it.
“I paint because I have to, it’s a compulsion – more than a hobby.”
In October and November, the Grange Art Gallery opens its doors to wide ranging and thought provoking exhibitions. Prepare to have your ideas and perceptions challenged…..
6 – 18 October. Rob Upward. “High and Low.”
This is Rob Upward’s fifth one-person exhibition at the Grange Art Gallery, and he has called it “High and Low”, because his thirty paintings look at landscape from mountains to sea. “I have become fascinated by the predominant colours in different landscapes; for example, the red-brown vastness of the Nullarbor Plain in Australia, the black lava fields of Hawaii.”
20 October – l November. Amanda Davidson. “Imagination. Dead Imagine” (Samuel Beckett)
Amanda Davidson is a published children’s book illustrator, author, who works mainly in pen and ink, watercolour, oils and acrylic. In this exhibition, shared with Vince Donlin, they explore the meaning of self, perception, bereavement, imagination, love and life in paint.
23-15 November. Society of Sussex Painters
“The work of members has always been fresh, lively, contemporary” says Barry Hinchliff, the society’s president. And this year’s exhibition will show the work of fifteen to twenty Sussex artists, each contributing up to four pieces of work. The society was formed i 1924. Since then, they have had annual and bi-annual shows, very often at The Grange.
17 – 29 November. Jim MacAirt. “Zen TV”
“We are mesmerized with phones, i-pads and widescreen tvs. I see that we are trapped in devices,” says Jim MacAirt. In this exhibition, he offers an antithesis to today’s intense preoccupation with watching. showing abstractions, images that require no dialogue or theory.